| “六法”之心悟 |
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| 引用本文： | 王芳,张春生.“六法”之心悟[J].南京工程学院学报(社会科学版),2003(3). |
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| 作者姓名： | 王芳 张春生 |
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| 作者单位： | 南京工程学院设计系,南京市第十四中学 江苏南京,211100,江苏南京,210030 |
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| 摘 要： | “六法”是中国画理论体系发展的基础 ,时代的发展赋予其新的思想内涵 ,只有领悟、糅合“六法”的精髓 ,才能不断的促进中国画传统与现代的结合 ,促进科学技术与艺术的统一 ;才能不断丰富中国画的绘画语言与表现形式。
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| 关 键 词： | 中国画 意境 气韵 笔墨 |
Comprehension of "Six Methods |
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| WANG Fang,ZHANG Chun-sheng.Comprehension of "Six Methods[J].Journal of Nanjing Institute of Technology:Social Science Edition,2003(3). |
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| Authors: | WANG Fang ZHANG Chun-sheng |
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| Abstract: | Six Methods",the foundation of the traditional Chinese painting,has assumed new connotations in the modern era. Only after we have gained a better understanding of "Six Methods" and learned how to use it adeptly can we make a good combination of new and old,of science and art. Only by doing so,can the artistic "language" and forms be enriched of the traditional Chinese painting. |
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| Keywords: | traditional Chinese painting artistic conception spiritual resonance brush stroke |
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