| 悲剧人物的好与坏 |
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| 引用本文： | 袁立本.悲剧人物的好与坏[J].电子科技大学学报(社会科学版),2009,11(3):62-65. |
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| 作者姓名： | 袁立本 |
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| 作者单位： | 浙江传媒学院,杭州,310018 |
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| 基金项目： | 浙江省教育厅课题“美国当代动画电影研究”(20060216)项目 |
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| 摘 要： | 本文试图简别自亚理斯多德以来的悲剧人物观。不同于亚氏的悲剧人物“好人”观和黑格尔的英雄时代文艺观，本文从自然界对人类的外在压力方面分析了英雄人物作为悲剧主角的必然性。并比较了黑格尔的世界理念冲突说（本文称之为悲剧理论中的神人相应思想）和中国的天人合一理论中的川页天、法自然思想，指出了两种观念存在着领域上、目的上的区别。
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| 关 键 词： | 悲剧人物 好人 亚理士多德 黑格尔 天人合一 |
Goodness and Badness of Tragic Characters |
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| YUAN Li-ben.Goodness and Badness of Tragic Characters[J].Journal of University of Electronic Science and Technology of China(Social Sciences Edition),2009,11(3):62-65. |
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| Authors: | YUAN Li-ben |
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| Institution: | Zhejiang University of Media and communication Hangzhou 310018 China |
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| Abstract: | This essay has tried to analyze the notions of tragic characters since Aristotle.Compared to Aristotle's"Good Man"and Hegel's Art Idea in the Heroic Times,we have affirmed the heroes'inevitability as tragic leading roles confronted with the pressure from the nature.We have also compared the differences between two ideas on the aspects of fields and purposes,and the two ideas are Hegel's tragedy theories and Chinese ideas of "Harmonious". |
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| Keywords: | tragic character good Man Aristotle Hegel harmonious |
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