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浪漫情怀下的感伤与夸饰——论前期创造社的文学批评风格
引用本文:王玉珠. 浪漫情怀下的感伤与夸饰——论前期创造社的文学批评风格[J]. 宝鸡文理学院学报(社会科学版), 2007, 27(6): 101-104
作者姓名:王玉珠
作者单位:宝鸡文理学院,中文系,陕西,宝鸡,721013
基金项目:宝鸡文理学院院级中青年科研计划项目
摘    要:"感伤"情调作为"五四"浪漫主义文学阵营--创造社最为彰显的感情标记,普遍地弥漫在其文学批评中,并呈现出自我表现,感情夸饰以及意气用事等特征.其批评情感的质地以感伤、苦闷为底色,又有强烈的宗派意识和对抗情绪.批评者的精力主要集中在论争、论战中的情感发泄和情绪化的批判上,而相对忽略了文学批评的理论化和系统化.但这种论战也推进了"五四"文学批评逐步走向批评意识和文体并重的规范化操作.

关 键 词:创造社  文学批评  风格  感伤
文章编号:1008-4193(2007)06-0101-04
修稿时间:2007-04-10

The Romantic and Sentimental Style of Literary Criticism of The Creation Society
WANG Yu-zhu. The Romantic and Sentimental Style of Literary Criticism of The Creation Society[J]. Journal of Baoji College of Arts and Science(Social Science Edition), 2007, 27(6): 101-104
Authors:WANG Yu-zhu
Abstract:As the emotional mark which the romantic literature camp-the Creation Society-presents most obviously,sentiment fills the air generally in its literary criticism,which include self-expression,exaggeration of sentiment,and self-indulgence.Taking sadness and depression as the bottom color,its critical emotion is provided with intense sect consciousness and resistant mood.The criticism energy mainly concentrates in the abreaction and emotivity in debate as well as in controversy,while neglecting relatively the theorization and thesystematization of literary criticism.However,the controversy has advanced gradually the literary criticism in the May 4th Era to the standardized operation which pays attention to critical consciousness and that of style.
Keywords:The Creation Society  literary criticism  style  sentiment  
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