| 首调唱名法的制度原则对理解西方音乐的启示 |
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| 引用本文： | 曲海洋,卓仁祥[美国].首调唱名法的制度原则对理解西方音乐的启示[J].华南理工大学学报(社会科学版),2014(6):108-110. |
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| 作者姓名： | 曲海洋 卓仁祥[美国] |
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| 作者单位： | 1. 华南理工大学艺术学院,广东广州,510640
2. 美国北德克萨斯州大学音乐学院，美国丹顿76205 |
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| 基金项目： | 中央高校基本科研业务费专项基金项目 |
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| 摘 要： | 理解的对象是文本,音乐的文本指的是用符号记下来的乐谱按照规则而组成的乐句系统。因此,理解西方音乐的关键是对西方音乐文本制度的正确解读。首调唱名法的制度原则给予我们对理解西方音乐最大的启示是,"音"与"乐音"之间的重要区别,即"音"要在具体的音乐制度体系中才有意义。
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| 关 键 词： | 理解 文本 首调唱名法 调号 规多 |
Institutional Analysis of solmization for understanding Western music |
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| Qu Hai-yang,CHO Gene Jinsisong.Institutional Analysis of solmization for understanding Western music[J].Journal of South China University of Technology(Social Science Edition),2014(6):108-110. |
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| Authors: | Qu Hai-yang CHO Gene Jinsisong |
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| Institution: | Qu Hai-yang, CHO Gene Jinsisong (1. College of art , South China University of Technology , Guangzhou 510640, Guangdong, China; 2. College of Music, University of North Texas, Denton 76205, America) |
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| Abstract: | Understanding of the object is a text, the text of the music refers to the score with symbol down phrases according to the rules and systems.The key to undrstand western music is that the text of western music system was interpreted correctly.The biggest revelation to the institutional analysis of solmization is to understand western mu-sic “sound” in specific music system. |
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| Keywords: | understanding text solmization key signature Guido |
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