La division sexuelle du travail chez les musiciens français |
| |
Authors: | Hyacinthe Ravet Philippe Coulangeon |
| |
Institution: | a Université Paris IV-Paris Sorbonne, 1, rue Victor Cousin, 75005 Paris, France b Centre de sociologie du travail et des arts (Cesta), EHESS, 105, boulevard Raspail, 75006 Paris, France c Laboratoire de sociologie quantitative du Centre de recherche en économie et statistique, Insee, 3, avenue Pierre Larousse, 92240 Malakoff, France |
| |
Abstract: | Data from a survey of French musicians conducted for the Ministry of Culture are used to analyze the processes producing inequality between men and women in music. Two models of a sexual division of labor coexist along with a differentiation depending on the style (learned vs. popular music). These two models closely link together working conditions, careers and the organization of home life for male and female musicians; and they underlie the construction of musicians', identities. In the world of popular music, bodily stereotypes of femininity (youth, seduction) and masculinity (the aestheticization of deviance, the bohemian life) dominate. In the world of learned music, a hierarchical model of masculine authority prevails with the figure of the conductor at the summit. |
| |
Keywords: | Division du travail Rapports sociaux de genre Profession artistique Musiciens Identité s professionnelles |
本文献已被 ScienceDirect 等数据库收录! |
|