| 中国古代妇女社会地位及女扮男装文学题材的演变 |
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| 引用本文： | 佟迅.中国古代妇女社会地位及女扮男装文学题材的演变[J].华北电力大学学报(社会科学版),2005,1(3):92-99. |
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| 作者姓名： | 佟迅 |
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| 作者单位： | 东南大学对外汉语培训中心,江苏,南京,210096 |
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| 摘 要： | 文学源于生活。中国古代文学中女扮男装题材的出现及发展,有其特定的社会历史背景,与女性在现实生活中的地位、境遇息息相关,伴随着礼教压迫沉重———暂时松弛———重新控制的历史进程而不断沉浮。本文结合各历史时期的社会背景、社会思潮,分析了女扮男装题材演变的历史是一部自由、解放精神与封建礼教不断抗争、不断进步的历史。
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| 关 键 词： | 女扮男装 文学题材 反礼教 |
| 文章编号： | 1008-2603(2005)03-0092-08 |
| 修稿时间： | 2005年5月10日 |
Evolution of Women's Social Status and Themes of Ancient Literary Works Where Chinese Women were Disguised as Men |
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| TONG Xun.Evolution of Women's Social Status and Themes of Ancient Literary Works Where Chinese Women were Disguised as Men[J].Journal of North China Electric Power University(Social Sciences),2005,1(3):92-99. |
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| Authors: | TONG Xun |
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| Abstract: | Literature is originated from life. The emergence and the development of the themes of women disguised as men in Chinese classical literature has their given social historic background, which is closely related to the status and circumstances of the women in their actual life and follows the course of history in the pattern of the worsening-loosening-re-controlling of the oppression of the feudal rites. The history of evolution of the themes of women disguised as men is a progressive history tinted with the resistance of freedom and spirit of liberation against the feudal rites. |
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| Keywords: | women disguised as men literary themes anti-feudal rites |
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