论微篇小说反差艺术规律

微篇小说在叙事中展现出的前后情境在发展的向度与趋势上的翻转或思想意绪、情感心理、色调氛围等在表现程度上的落差构成了微篇小说创作的反差艺术。在反差艺术统摄下，微篇小说创作生成了四条规律。反差的必然性法则──规模上的缩龙成寸，内质上的杯水生波。反差的“偶然性”法则──神思独运而出人意表，入手常理又新巧惊奇。接受主体受到的误区诱导则具有三类情形：正相关──共鸣，全同──冷淡，反相关──惊奇或反感。创作主体的逆向思维运用于反差艺术，往往在一个关键点翻转，以变序逆转来瞬时闪现事物的底蕴，快速简练、直达灵魂。

On Principles of Minifiction''''s Contrast Art

The contrast art of minifiction mainly appears in the turns of event developmentdirection and tendency mainifested in the narration of early and later situations, or reflected in the drop to some extent in the expression of ideas, feelings, tones and atmospheres.As a result of minifiction contrast art, four principles have been formed for the creation ofminifiction. They are Necessity Principle of Contrast, usually appearing in the contractionof space and the elaboration of content in the limited space; Contingency Principle of Contrast, mainly shown in an unusually ingenious conception of the plot, reasonable but unconventional; Principle of Misreading Guide for Readers as Receptive Subjects, often manifested in the three kinds of situations: positive relatedness producing readers' agreementwith the writer in thinking, utter sameness producing readers' coldness in reaction, andnegative relatedness producing readers' astonishment or aversion; and Principle of theWriter as Creative Subject adopting a converse Mode of Thinking, mainly found in the reversion of thinking at a key point for the sake of exposing the theme in the depth promptlyand achieving the effect of promptness, briefness and provoking thought.