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唐代绮罗人物画技法研究
引用本文:吕少卿. 唐代绮罗人物画技法研究[J]. 江苏教育学院学报, 2003, 19(5): 111-113
作者姓名:吕少卿
作者单位:南京艺术学院 江苏南京210013
摘    要:唐代绮罗人物画是中国人物画发展过程中一个极其重要的流派 ,承上启下 ,影响深远。本文着重从构图、题材、造型及服饰、用线用色、绘画工具及材料等方面对其技法特点作一些较深入研究 ,并揭示其发展流变中从张萱时代到周时代的变异

关 键 词:唐代  绮罗人物画  技法

A Study of the Skills and Techniques Qi Luo Figure Painting of the Tang Dynasty
Lu Shaoqing. A Study of the Skills and Techniques Qi Luo Figure Painting of the Tang Dynasty[J]. Journal of Jiangsu Institute of Education(Social Science), 2003, 19(5): 111-113
Authors:Lu Shaoqing
Abstract:Qi Luo figure painting of the Tang Dynasty is an extremely important school in the process development of the Chinese figure painting, which served as connecting link between the foregoing and the following paintings and had a far reaching influence. This article makes a comparative study of characteristic skills and techniques in such aspects as the design, subject matter, modeling and clothing, colouring, tools and materials for painting, and reveals some changes in the transition from the time of Zhang Xuan to the days of Zhou Fang.
Keywords:the Tang Dynasty  Qi Luo figure painting  skills and techniques  
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