| 近代中国著作权立法论 |
| |
| 引用本文： | 姚秀兰.近代中国著作权立法论[J].深圳大学学报(人文社会科学版),2005,22(4):37-40. |
| |
| 作者姓名： | 姚秀兰 |
| |
| 作者单位： | 深圳大学法学院,广东,深圳,518060 |
| |
| 摘 要： | 我国近代著作权立法始于《大清著作权律》,历经《北洋著作权法》,至1928年国民政府《著作权法》,近代著作权法律体系才真正形成。它的形成,既是时局危机下社会各界的吁请,也是统治阶层出于维护其统治的考虑,更是各协约国外交压力所致。
|
| 关 键 词： | 近代 著作权 立法 |
| 文章编号： | 1000-260X(2005)04-0037-04 |
| 修稿时间： | 2005年2月28日 |
Modern China's Legislation for Copyright |
| |
| YAO Xiu-lan.Modern China''''s Legislation for Copyright[J].Journal of Shenzhen University(Humanities & Social Sciences),2005,22(4):37-40. |
| |
| Authors: | YAO Xiu-lan |
| |
| Abstract: | China's legislation for copyright originated from Law of Copyright or the Great Qing, went through Law of Copyright of Northern Area and finally formed its modern legal system when Law of Copyright was passed by the National Government in 1928. This law of 1928 resulted form the appeals and requests of all walks of life and the ruling classes' consideration for the maintenance of their rule and above all, from the diplomatic pressure of the Entente Countries. |
| |
| Keywords: | Modern times law of copyright legislation |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
