| 意象与艺术 |
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| 引用本文： | 曹桂生,冯蓉.意象与艺术[J].西安电子科技大学学报(社会科学版),2001,11(4):53-56,63. |
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| 作者姓名： | 曹桂生 冯蓉 |
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| 作者单位： | 西安交通大学,陕西,西安,710049 |
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| 摘 要： | "意象"即"表意之象".它通过"象征"或"浪漫"的手法,实现"立象以尽意"之目的.故意象又有"象征意象"和"浪漫意象"之区别.象征意象在于暗示,浪漫意象在于表现.相对而言,西方艺术偏于象征和暗示,中国艺术偏于浪漫和表现.象征意象和浪漫意象是两种不同艺术形态之反映,它们均为"表意之象",即"意象".
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| 关 键 词： | 中国艺术 西方艺术 意象 象征 |
| 文章编号： | 1008-472X(2001)04-0053-04 |
| 修稿时间： | 2001年10月19 |
Imagery and Art |
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| CAO Gui-sheng,FENG Rong.Imagery and Art[J].Journal of Xidian University (Social Sciences Edition),2001,11(4):53-56,63. |
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| Authors: | CAO Gui-sheng FENG Rong |
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| Abstract: | Imagery is a meaning-oriented image. It achieves the effect of expressive images with the device of symbolism or romance. Hence the two different imageries: metaphoric and romantic. The former is implicative whereas the latter expressive. Comparatively speaking, Western art gives more weight to symbolism and implication while Chinese art is more romantic and expressive. Both metaphoric and romantic imageries represent two different artistic forms; they share the same meaning-oriented image, i.e. imagery, though. |
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| Keywords: | Chinese art Western art imagery symbolism |
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