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论中国岩画的取象规则
引用本文:朱媛. 论中国岩画的取象规则[J]. 北京理工大学学报(社会科学版), 2013, (6): 152-156.
作者姓名:朱媛
作者单位:1.绍兴文理学院 人文社会学院, 浙江 绍兴 312000
基金项目:2013国家社会科学基金资助项目“中国岩画的原始信仰及其审美生成研究”(13CZX086)
摘    要:取象是岩画制象的首要步骤。中国岩画在取象中显示出了几大原则。第一是简化原则。它包括投影轮廓技法、局部代整体技法和抽象化技法。第二是最大轮廓化原则,指最大面积地截取轮廓。这在早期艺术中时常出现。第三是局部凸现原则。它在中国岩画中表现为形体的凸现与位置的凸现两种形式。第四是多点平视原则。它表现了岩画缺乏背景衬托,属于触觉绘画的特征。这些原则的综合运用代表着原始岩画的取象特征,显示了原始先民的取象思维。

关 键 词:中国岩画  简化原则  最大轮廓化原则
收稿时间:2013-05-28

On the Principles of Extracting Image in Chinese Rock Art
ZHU Yuan. On the Principles of Extracting Image in Chinese Rock Art[J]. Journal of Beijing Institute of Technology (Social Sciences Edition), 2013, (6): 152-156.
Authors:ZHU Yuan
Affiliation:1.School of Humanities & Social Science, ECNU, Shaoxing University, Shaoxing Zhejiang 312000, China
Abstract:Extracting image is the first step in forming rock art. There are several principles in Chinese rock art in this respect. The first is simplicity principle which includes the projection profile technique, the part for whole technique and the abstraction technique. The second is maximizing profile principle which is often presented in original art. The third is partial highlighting principle that emerges as shape or location highlighting. The fourth is divergent perspective principle which shows the lack of background and belongs to the characteristics of touch art. Comprehensive application of these principles represent the characteristic of rock art's extracting images, exhibiting primitive inhabitants' thought of extracting images.
Keywords:Chinese rock art  simplicity  maximizing profile principle
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