| 简论孔子“中和”美学思想 |
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| 引用本文： | 王庆生. 简论孔子“中和”美学思想[J]. 山西高等学校社会科学学报, 2003, 15(2): 66-67 |
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| 作者姓名： | 王庆生 |
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| 作者单位： | 南京理工大学,江苏,南京,210094 |
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| 摘 要： | 在中国古典美学发展史上 ,孔子的“中和”美学思想占有极为重要的地位。从孔子“中和”美学思想的主要内容、艺术特征和影响三个方面可以看到 ,他的这一思想既是对先秦早期美学的继承与进一步发展 ,也直接启发与影响了后世美学的发展。
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| 关 键 词： | 孔子 “中和”美学思想 内容 特征 影响 |
| 文章编号： | 1008-6285(2003)02-0066-02 |
| 修稿时间： | 2001-12-05 |
On Aesthetic Thought of "the Golden Mean" of Confucius |
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| WANG Qing-sheng. On Aesthetic Thought of "the Golden Mean" of Confucius[J]. Social Sciences Journal of Colleges of Shanxi, 2003, 15(2): 66-67 |
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| Authors: | WANG Qing-sheng |
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| Abstract: | In the developing history of the Chinese classical aesthetics,the Confucion aesthetic thought of "the Golden Mean" has taken an important status.According to the three aspects of the Confucian thought of "the Golden Mean" such as main contents,characters of arts and influence,the thought of Confucius inherited and further developed the early aesthetis of the pre-Qin days,and also directly has enlightened and influenced the aesthetic development of late ages. |
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| Keywords: | Confucius," the Golden Mean" ,aesthetic thought,contents,characters,influence, |
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