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秦始皇与海盐腔源流考
引用本文:何坦野.秦始皇与海盐腔源流考[J].宝鸡文理学院学报(社会科学版),2002,22(4):46-51.
作者姓名:何坦野
作者单位:浙江传媒学院,文学系,浙江,杭州,310015
摘    要:海盐腔的来源及本体原貌历来是中国戏剧史上悬而未决的疑案.根据海盐有关地名传说及戏曲史资料,可推证海盐腔乃秦始皇遣派关中、中原的"囚民"来浙北沿海挖河晒盐、筑宫造桥后留下的"迁民"所带来的,历经千年而在当地民间流传.海盐腔在南宋时得到第一次改革与勃兴,至明初海盐腔内部自然发生了第二次改革与勃兴,最终裂变为昆腔.

关 键 词:海盐腔  秦始皇  昆腔
文章编号:1008-4193(2002)03-0046-06
修稿时间:2001年12月10日

The King of Qin Kingdom and Haiyan Opera
HE Tan,ye.The King of Qin Kingdom and Haiyan Opera[J].Journal of Baoji College of Arts and Science(Social Science Edition),2002,22(4):46-51.
Authors:HE Tan  ye
Abstract:The source and the original form of Haiyan opera has always been a doubtful case in the history of Chinese dramas. According to legends about the name of the place and materials of drama history, it can be inferred that Haiyan opera originated from "prisoners" sent to Northern Zhejiang by the First Emperor of Qin Dynasty from Guanzhong Plain and Central China to solarize salt and build palaces. Left over by these "migrants" the Haiyan opera spread among the local people. Haiyan opera was first reformed and prospered in South Song Dynasty, and in middle Ming Dynasty underwent the second reform and thriving, and finally turned to Kun opera.
Keywords:Haiyan opera  the First Emperor of Qin Dynasty  Kun opera
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