| 战国秦瓦当艺术的文化审美意识 |
| |
| 引用本文： | 卢花.战国秦瓦当艺术的文化审美意识[J].长安大学学报(社会科学版),2012,14(3):20-23,36. |
| |
| 作者姓名： | 卢花 |
| |
| 作者单位： | 陕西师范大学教师干部教育学院,陕西西安710062 西北大学文学院,陕西西安710069 |
| |
| 基金项目： | 教育部人文社会科学研究规划基金项目 |
| |
| 摘 要： | 从文化审美诠释、审美意识和艺术审美取向等角度,分析战国秦瓦当艺术的文化审美意识。分析认为：战国秦瓦当艺术所投射出来的文化审美意识在内容上是多样的,在形式上是向外拓展的;所体现出来的审美意识重在自然性,比前期瓦当审美意识更具社会性和精神性;不仅具有成熟而完整的审美意识结构,还具有丰富而成熟的文化意识结构。
|
| 关 键 词： | 战国秦 瓦当 艺术 文化审美意识 |
Cultural aesthetic consciousness of Qin tile arts in the Warring States |
| |
| LU Hua.Cultural aesthetic consciousness of Qin tile arts in the Warring States[J].Journal of Chang'an University(Social Sciences Edition),2012,14(3):20-23,36. |
| |
| Authors: | LU Hua |
| |
| Institution: | LU Hua1,2(1.School of Vocational Training,Shaanxi Normal University,Xi’an 710062,Shaanxi,China; 2.School of Literature,Northwest Universtiy,Xi’an 710069,Shaanxi,China) |
| |
| Abstract: | The paper,from the perspectives of cultural aesthetic interpretation,aesthetic consciousness and aesthetic orientation,analyzes cultural aesthetic consciousness of Qin tile arts in the Warring States.The analysis shows that the cultural aesthetic consciousness reflected from Qin tile arts in the Warring States was of variety and had its exterior extension in form.It reflected more natural quality,and was more sociable and more spiritual compared with that in the pre-tile arts.It also had its mature and complete structure of aesthetic consciousness,and rich and mature structure of cultural consciousness. |
| |
| Keywords: | Qin in the Warring States tile arts cultural aesthetic consciousness |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
