| 论孟子“充实之谓美”的审美意韵 |
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| 作者单位： | 广西师范大学文学院 |
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| 摘 要： | 孟子美学的"充实之谓美"命题包含着丰富而深刻的审美意韵。在美善合一的先秦时期,明确地将"美"置于"善"之上,把道德目标、人格精神、审美愉悦联系在一起;认为要真正实现"充实"必须要"善养吾浩然之气"孟子的养气说意在尽心知性,寻求安身立命的精神家园;"充实"内含着充满、和谐之意。只有经过养气的过程的充实,才能达到完备、圆满、和谐的境界,才能达到高度的美。
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| 关 键 词： | 孟子 充实之谓美 养气 |
On Mencius' Aesthetic Implication of "Adequacy is Beauty" |
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| Authors: | HUANG Xing-cheng |
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| Abstract: | Mencius' aesthetic proposition "Adequacy is Beauty" contains rich and profound aesthetic implication.During the pre-Qin period when Beauty and Goodness were regarded as a unity,Mencius clearly put "Beauty" upon "Goodness" and combined moral goals and spirit of personality with aesthetic pleasure;Mencius thought that a person must maintain his Lofty Air well so as to truly achieve "Adequacy".The theory of Maintaining the Lofty Air of Mencius implies understanding personality with our whole heart and looking for the spiritual homestead to settle down and get on with our pursuit.His "Adequacy" means fullness and harmony.Only when "Adequacy" goes through the process of maintaining the Lofty Character can it then reach the state of maturity,consummation,harmony and a high degree of beauty. |
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| Keywords: | Mencius Adequacy is Beauty Maintaining the Lofty Air |
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