开启一种本源性的诗思关系——论早期尼采的悲剧文化观

早期尼采对希腊悲剧时代的文化状态作了大量的讨论.与通常关于前苏格拉底时期"哲学与诗歌"之争的解释不同,尼采关注的是希腊"悲剧艺术"和"悲剧哲学"的特性,意在探索一种本源性的艺术-哲学、诗-思关系,从而为"知识冲动"失去控制的现代文化寻找一个救治方案.

On the Primordial Poetry-Thought Dichotomy in Nietzsche's Earlier Philosophical Writing on Greek Tragedies

In his early writings, Nietzsche discusses a lot about the cultural status in ancient Greece, in its prominent tragedy epoch. Unlike many who explained the so called philosophy-poetry dichotomy in pre-Socratic thinking, Nietzsche, with the critique of the European modernity in mind, mainly focuses on the characteristics of the art of Greek tragedy and its relationship with the philosophy of tragedy at that time. By returning to fundamental relations of art and philosophy, poetry and thinking, he has in fact grasped the essence of the primordial union of art and thinking. By a re-thinking of the poetry-thought dichotomy in the Greek-European tradition, Nietzsche has possibly offered a unique cure for the philosophical-cultural crisis the twenty century world had seen.