| 论“声情(声气)”——唐诗研究中的一个盲点 |
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| 作者单位： | 河北大学人文学院 教授、中国社会科学院研究生院文学系硕士生导师 |
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| 摘 要： | "声情(声气)"茂美,是唐诗的重要而基本的审美特征之一,但在现代学术探讨中这方面的研究几乎是个空白点,在对相关的古典文献作了简单梳理,并在诠释"声情(声气)"范畴的基本理论内涵的基础上,笔者揭示了"声情(声气)"乃是堪与"意象"相提并论的重要范畴,而"声情"论对于把握唐诗及汉语古典诗歌的整体的具有民族特色的审美特质有着重要作用。
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| 关 键 词： | 唐诗 声情 声气 体用 |
On "Shengqing(expressive voice)" of Tang Poetry |
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| Authors: | Liu Fangxi |
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| Abstract: | Being full of "Shengqing(expressive voice)" is an important and basic aesthetic characteristics of Tang poetry. However, in the modern academic research exploring in this area is almost gap. This paper collates the relevant classical data, and in the interpretation of "Shengqing" based on the content of basic theory, reveals that "Shengqing" is compatible with "image" in the poetry theory. The theory about "Shengqing" is very important for us to research Tang poetry as well as the classical Chinese poetry with national characteristics of the aesthetic qualities. |
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| Keywords: | Tang poetry Shengqing(expressive voice) Shengqi Tiyong |
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