略论电脑音乐配器 |
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引用本文: | 张馨洁. 略论电脑音乐配器[J]. 沈阳师范大学学报(社会科学版), 2003, 27(3): 71-73 |
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作者姓名: | 张馨洁 |
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作者单位: | 沈阳音乐学院研究生部,辽宁沈阳,110003 |
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摘 要: | 音色是音乐构成的四大要素之一。随着高科技的飞速发展,电子乐器如合成器音源、采样器能为作曲家提供成千上万种取之不尽的音色。在配器中是杂乱无章、随心所欲地使用各种音色,还是基于传统各类乐队配器模式,是电脑音乐工作者在理论上与时俱进,不断创新的学术课题。
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关 键 词: | 电脑音乐 音源 音色 配器 |
文章编号: | 1000-5226(2003)03-0071-03 |
修稿时间: | 2003-01-06 |
On the Collocation of Computer Musical Instruments |
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Abstract: | Timbre is one of the four musical elements. With the development of the high technology, the electronic musical instruments such as the synthetic music source and the sampler can provide composers with thousands and thousands of different varieties of timbres. Whether to collocate the musical instruments unsystematically or in the light of the traditional modes is an academic task for the computer musicians to pace with the times and make continuous innovations in theory. |
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Keywords: | computer music music source timbre the collocation of computer musical instruments |
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