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对文艺研究中“主客二分”思维模式的批判性考察
引用本文:王元骧. 对文艺研究中“主客二分”思维模式的批判性考察[J]. 学术月刊, 2004, 0(5)
作者姓名:王元骧
作者单位:浙江大学中文系 教授、博士生导师
摘    要:“主客二分”是随西方近代认识论哲学发展起来的一种思维模式,它在当今我国不仅受到哲学界,同时也受到文艺理论界的质疑。本文一方面肯定了这种质疑的合理成分,另一方面也指出这种批评由于没有看到它在现代,特别是在马克思主义哲学中的发展,因而难免陷于片面。文章对这一理论在哲学分析、鉴别的基础上,从哲学层面与心理学层面统一的观点出发,联系文艺活动实际,作了较为细致、具体的阐释。

关 键 词:文艺理论  主客二分  思维模式

A Critical Observation on the Thinking Model "Subject-Object Dichotomy" in Literatura and Art Studies
Wang Yuanxiang. A Critical Observation on the Thinking Model "Subject-Object Dichotomy" in Literatura and Art Studies[J]. Academic Monthly, 2004, 0(5)
Authors:Wang Yuanxiang
Affiliation:Wang Yuanxiang
Abstract:"Subject-object dichotomy" is a model of thinking developed with modern epistemology in the west. It is questioned not only by the philosophical world, but also by literature and art critical world in China. This article, on one hand, acknowledges the reasonable element of the questioning, and points out, on the other hand, that owing to the dichotomy's development in modern time, especially in Marxist philosophy, the criticism is inevitably lost in one-sidedness. Based on a philosophical analysis and distinction to this theory, this article interprets fastidiously and concretely from a viewpoint of unifying philosophy and psychology, and relates to literary and art activities.
Keywords:theory of literature and art   subject-object dichotomy   model of thinking  
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