| 从音乐美学角度浅谈钢琴演奏的若干问题 |
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| 引用本文： | 桑宏.从音乐美学角度浅谈钢琴演奏的若干问题[J].浙江师范大学学报(社会科学版),2009,34(3):98-101. |
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| 作者姓名： | 桑宏 |
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| 作者单位： | 浙江师范大学,音乐学院,浙江,金华,321004 |
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| 摘 要： | 根据分析哲学以及音乐现象学对表演的美学阐释，对钢琴演奏中的若干问题：“真实性演奏”、自我表现和音乐文本究竞谁承担着诠释作品的尺度和准则？钢琴演奏的同一性问题是否存在？同一性是否能够作为钢琴演奏的评判标准等进行思考。音乐本体只有和人的体验发生关联，音乐的奥妙才可能获得呈现，音乐的内在意义才可能被聆听者所接受和理解。
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| 关 键 词： | 音乐关学 钢琴演奏 同一性 |
Questions Concerning Piano Performance from the Perspective of Musical Aesthetics |
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| SANG Hong.Questions Concerning Piano Performance from the Perspective of Musical Aesthetics[J].Journal of Zhejiang Normal University:Social Sciences,2009,34(3):98-101. |
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| Authors: | SANG Hong |
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| Institution: | SANG Hong (School of Music, Zhefiang Normal University, Jinhua 321004, China) |
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| Abstract: | Utilizing analytical philosophy and music phenomenology to illustrate the aesthetics of performance, this paper tries to discuss the questions as following： What should be employed to interpret the music works＇ rules and criteria, authentic performance, self presentation or musical text？ Are there any identities in the piano performance？ Can the identity be used as the assessment criterion？ etc. At the same time, it is emphasized that only when the music reality is related to the individual＇ s experience will the profound mystery of music come into being, and its intrinsic meaning be understood and accepted. |
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| Keywords: | musical aesthetics piano performance identity |
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