论唐宋游仙词

游仙词是唐宋时期道教文化的产物,同时也是古代诗歌中游仙传统,尤其是中晚唐艳情游仙诗的延续和发展,又与词体功能的扩展相关.唐宋游仙词创作较为繁荣,大致经历了一个形成、成熟到繁荣的过程,其创作特点也由艳情化游仙发展为以梦游仙.同时,唐宋游仙词呈现出鲜明的文体形态:词作主旨的隐喻特征,即词人往往以游仙寄托人生之感和隐逸之思,借游仙隐喻艳情事迹或体察道教义理;虚构和梦幻化的游仙意象使词作表现出浓重的浪漫主义色彩;文人通过游仙来获取精神愉悦和心境的清雅之趣则是游仙词功能的主要体现.

On the Poetry about Immortals in the Tang and Song Dynasty

The Ci poetry about immortals,an outcome of Taoist culture in the Tang and Song period,is also the extension and development of the tradition of immortals in ancient poetry.Especially being hit by sexual passion of the late Tang dynasty poetry about immortals,it is related to Ci’s functional expansion.In the Tang and Song Dynasty,the creation of the poetry about immortals is comparatively prosperous,and has experienced a process from formation,maturity until prosperity.Besides,its characteristics of creation also change from erotic immortals to dreaming ones.At the same time,the Ci poetry about immortals in the Tang and Song Dynasty displayed a distinct style form:the metaphor form of Ci,experienced a road including placing thought of feeling and hermit of life,borrowing the metaphor sexual passion of travel immortals or experience the Taoism argumentation.Imaginary and dreamlike of Ci’s imago makes Ci show the dense color of romantism.That scholars obtained spiritual delight and interest of elegance in mind from immortals is the main embodiment of the function of immortals.