穆时英小说的空间形式 |
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引用本文: | 翟杨莉,张勇. 穆时英小说的空间形式[J]. 西安电子科技大学学报(社会科学版), 1999, 0(4) |
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作者姓名: | 翟杨莉 张勇 |
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摘 要: | 穆时英在小说中借鉴电影蒙太奇的场面切换手法 ,对各类时间上不具有连续性的场面进行并置 ,达到了小说形式空间化的效果。此外 ,作家还摈弃情节、故事的完整性 ,描写场面时多使用叙事时间为零的静述 ,利用句式颠倒等破碎语义以及运用大量新奇、精妙的修辞手段营造陌生化的语言风格 ,客观上都造就了小说的空间形式
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关 键 词: | 并置 静述 破碎 陌生化 空间形式 |
On the Spatial Form of Novels by Mu Shiying |
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Abstract: | In his novel, Mu Shiying drew lessons from the film's experience. That's the scenes changeover technique of Montage. He collated the scenes that were discontinuous in time so as to get the result spatially. In addition, the writer gets rid of the completion of the plots and the stories. When illustrating the scenes, he often uses the narrating time being Zero's Method which we call it quietly narrating. When narrating, he upset the sentence structure, broke the sentence meaning, and used plenty of strange, skillfully contrived rhetoric method to make the unfamiliar language style. All those finally made his novels spatial form objectively. |
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Keywords: | collation quiet narration broken unfamiliar spatial form |
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