| 关于吴梅的昆曲论著及其演唱实践--为纪念曲学大师吴梅先生诞辰120周年而作 |
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| 引用本文： | 吴新雷. 关于吴梅的昆曲论著及其演唱实践--为纪念曲学大师吴梅先生诞辰120周年而作[J]. 东南大学学报(哲学社会科学版), 2004, 6(6): 94-100 |
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| 作者姓名： | 吴新雷 |
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| 作者单位： | 南京大学,中文系,江苏,南京,210093 |
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| 基金项目： | 第五届南京大学中流文教奖助金资助项目 (南大社科奖第 0 10 0 1号 ) |
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| 摘 要： | 吴梅在北京、南京各高校从事戏曲教学的特点是强调理论联系实际 ,他没有停留在戏曲的文学层面上来立论 ,而着眼于综合艺术的全方位的研究 ,所以他的昆曲论著能结合舞台艺术的实践 ,独出新意。他不仅培养了曲学的研究人才 ,而且还培养了专业演员和业余曲友 ,为昆曲的传承作出了突出贡献
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| 关 键 词： | 综合艺术 艺术学 昆班活动 曲社活动 |
| 文章编号： | 1671-511X(2004)06-0094-07 |
| 修稿时间： | 2004-08-30 |
On Wu Mei's works on Kunqu opera and his performance |
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| Abstract: | As a teacher of Kunqu opera, Wu Mei has always focused on the combination of theory and practice. His works on Kunqu reflects that he regards the opera as a synthetic artistic form and his comments are always connected with the performance. He is not only devoted to the education of students of Kunqu research, but also to the teaching of many professional and nonprofessional actors and actresses. |
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