| 鄂西土家族哭嫁歌的主体心理分析 |
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| 引用本文： | 余霞.鄂西土家族哭嫁歌的主体心理分析[J].中南民族大学学报(人文社会科学版),2004,24(4):152-155. |
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| 作者姓名： | 余霞 |
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| 作者单位： | 武汉大学,新闻与传播学院,湖北,武汉,430070 |
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| 摘 要： | 哭嫁歌曾是土家族地区风行的抒情性仪式歌谣,是新娘在哭嫁仪式中拥有的话语权.她们借此权力.通过情感宣泄,卸掉角色转换时的情感压力与重负,告别旧的女儿角色,为进入媳妇角色作心理准备.本文试图综合运用口述材料与哭嫁歌文本资料,就土家族哭嫁歌的主体心理进行分析.
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| 关 键 词： | 土家族 哭嫁歌 女性 话语权利 情感宣泄 角色转换 |
| 文章编号： | 1672-433X(2004)04-0152-04 |
A Psychological Analysis of Wailing Songs in Wedding of Tujia Nationality in Western Hubei |
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| YU Xia.A Psychological Analysis of Wailing Songs in Wedding of Tujia Nationality in Western Hubei[J].Journal of South-Central University for Nationalities:Humanities and Social Science,2004,24(4):152-155. |
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| Authors: | YU Xia |
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| Abstract: | Wailing songs in wedding were once the popular lyric folk songs of Tujia people and the bride's right of utterance. By resorting to this right, the bride may give vent to her emotional pressure and burden, bid farewell to the role of daughter and prepare herself for the role of daughter-in-law. This paper makes a psychological analysis of wailing songs in wedding of Tujia nationality. |
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| Keywords: | wailing songs in wedding female right of utterance unbosom oneself change of roles |
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