| 从格式塔理论看比兴思维 |
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| 引用本文： | 陈佳莉. 从格式塔理论看比兴思维[J]. 湖北民族学院学报(哲学社会科学版), 2008, 26(1): 121-123 |
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| 作者姓名： | 陈佳莉 |
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| 作者单位： | 华南师范大学,文学院,广东,广州,510006 |
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| 摘 要： | 比兴是中国古典文艺美学的核心理论之一。比和兴在作为修辞方法时两者有别，但作为一种艺术思维方式，则比兴有许多共性，都具有用此意象代替彼意象的隐喻特征。用格式塔心理学和美学理论来看比兴思维，能为我们重新阐释古代诗歌经典理论的心理机制提供一个科学性的新思路。
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| 关 键 词： | 比兴思维 格式塔 视觉思维 力 |
| 文章编号： | 1004-941(2008)01-0121-03 |
| 修稿时间： | 2008-01-20 |
The Bi-xing Thinking Viewed from the Gestalt Theory |
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| CHEN Jia-li. The Bi-xing Thinking Viewed from the Gestalt Theory[J]. Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences), 2008, 26(1): 121-123 |
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| Authors: | CHEN Jia-li |
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| Affiliation: | CHEN Jia - li ( School of Literature, South China Normal University,Guangzhou 510006,China) |
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| Abstract: | Bi [similarty] xing [associative] is one of the most important theory in Chinese Classical Aesthetic of Literature and Art.As modes of rhetoric,Bi-xing have some differences,but as a mode of artistic thinking,Bi-xing has a lot of commonness,for example,metaphor,assimilating one image with another.Here we can name it Bi-xing Thinking.Reinterpreting Bi-xing Thinking with the Gestalt Psycology and Gestalt esthetics,we may get a scientific and new thinking for re-interpreting the psycological mechanism of ancient thearies on classical poetry. |
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| Keywords: | Bi-xing thinking Gestalt visual thinking forces |
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