| 后现代视域中的蒋孔阳美学 |
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| 引用本文： | 陆扬.后现代视域中的蒋孔阳美学[J].南开学报,2004,3(2):71-77. |
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| 作者姓名： | 陆扬 |
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| 作者单位： | 南开大学哲学系 天津300071 |
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| 摘 要： | 在后现代背景下审视蒋孔阳的美学思想,当可发现:蒋氏美学充满了开放性和创造性的特质,他关于美是人的本质力量的对象化、艺术是美学研究的主要对象的基本理念,并非业已出局的明日黄花,而是具有足可以和后现代话语进行对话的深刻内涵。
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| 关 键 词： | 蒋孔阳 后现代 实践美学 后实践美学 |
| 文章编号： | 1001-4667(2004)02-0071-07 |
| 修稿时间： | 2003年10月5日 |
On Jiang Kongyang's Aesthetic Theories from Postmodern Perspective |
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| Lu Yang.On Jiang Kongyang''''s Aesthetic Theories from Postmodern Perspective[J].Nankai Journal,2004,3(2):71-77. |
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| Authors: | Lu Yang |
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| Abstract: | There are much more to say on the openness and creativity in Jiang Kongyang's aesthetic theory. Jiang's positions such as beauty is the objectizatin of human being's essence and art is the central research object of aesthetics, indeed could initiate a dialogue with postmodern discourses. This paper holds that Jiang's theoretical system is a dynamic one which always opens to new possibilities. |
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| Keywords: | Jiang Kongyang Postmodern Practice Aesthetics Post-practice Aesthetics |
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