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屈骚“发愤抒情”的美学特质及影响
引用本文:张侃,韩高年.屈骚“发愤抒情”的美学特质及影响[J].兰州大学学报(社会科学版),2009,37(1).
作者姓名:张侃  韩高年
作者单位:1. 兰州大学,文学院,甘肃,兰州,730000
2. 西北师范大学,文史学院,甘肃,兰州,730070
摘    要:屈原作品中的"发愤抒情"模式,具有特定的文化内涵,既是其完成抒情主体精神建构的方式,也是其实现人生悲剧艺术化的手段.借助它,屈骚完成了从神话、巫歌形态向精神探索和心灵呈现的生命诗学的转变.正由于此,它超越了一般意义上的创作原则而趋向于一种具有普遍意义的美学特质,在整个古代文学史的流程中,它规范着古代诗文与现实及作家心灵之间的关系状态,成为一种原型范式.

关 键 词:屈原  屈骚  "发愤抒情"  美学特质

The Aesthetic Property and the Influence of"Lamenting and Lyricizing"as Seen in Li Sao
ZHANG Kan,HAN Gao-nian.The Aesthetic Property and the Influence of"Lamenting and Lyricizing"as Seen in Li Sao[J].Journal of Lanzhor University(Social Sciences),2009,37(1).
Authors:ZHANG Kan  HAN Gao-nian
Institution:ZHANG Kan~1 HAN Gao-nian~2
Abstract:As a way to construct the lyricizing subject and a means to peoticizing tragic life,the mode of"lamenting and lyricizing"seen in QU Yuan's writings has specific cultural connotation,through which QU Yuan transformed Sao style from myths and witch ballads into the poetry of life advocating spiritual exploration and conveyance.It goes beyond a principle of literary creation in an ordinary sense and becomes an aesthetic property of universal significance, regulating the relationship among poetry,reality and wr...
Keywords:QU Yuan  Li Sao  "lamenting and lyricizing"  aesthetic property  
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