如何超越"二元对立"——中国艺术美学基本问题的相关讨论

如何超越二元对立思维框架,是21世纪中国艺术美学创新的基本问题。在这一基本问题的探讨上,我国出现了后二元对立和前二元对立两种超越模式,后一种超越模式主要源于海德格尔终极构成的境域论思路。按照这种划分,我国学者过去讨论中国传统艺术美学的天人合一基本思路仍然属于在二元对立基础上加以整合的后二元对立框架,尚未达到在二元对立发生之先敞开的前二元对立的境域论高度。其实,中国传统哲学美学探讨的恰恰可能是前二元对立的世界,所以,海德格尔的前二元对立思想与中国传统艺术美学的基本思想具有会通之处,这种会通探索拉开了中国传统艺术美学思想当代转换的深层帷幕。

How to Go Beyond the "Binary Opposition":Focusing on the Basic Discussions of Chinese Art Aesthetics

It is a basic problem for Chinese art aesthetics in the 21st century how to go beyond the mindset ofbinary opposition. There are two kinds of models in China,post - binary oppositionandpre - binary opposition,and the latter of which comes from Heidegger's idea ofthroughout domainof theultimate constitute.Many scholars have pointed out that the idea ofthroughout domainof non- existing is associated with the traditional basic idea of Chinese art aesthetic,which will uncover the deep curtain for Chinese tradit...