在张扬与压抑之间--浅析审美传达的二重性

审美传达是审美体验由"胸中之竹"到"手中之竹"的阶段,也是其定型和物化的阶段.在审美传达中,艺术家一方面力图把自己最真切的审美体验一览无余地表达出来,另一方面,审美体验之体验也与其相伴而行,这种体验是对原初体验的修复、甄别和一定程度的理智化,于是它又必然地压抑了审美传达的个性张扬.

On Twoness of Communication of Aesthetic Tasting between Spread and Oppression

Aesthetic communication is a phase where aesthetic experience froms "a bamboo in the bosom" to "a bamboo in the hand", and is also a phase of which aesthetic experience finalize the design and turn into artwork. On the one hand, artists try their best to express the best of all their vivid aesthetic experience; on the other hand, the experience of aesthetic experiencing follows it. This experience is achieved from the original after repaired, discriminated, and reasonablized to some extent; therefore, it must oppress the individual spread of communication of aesthetic experiencing.