后现代意味与新写实小说

新写实小说是跨越20世纪80、90年代的唯一文学潮流。从文学价值学着眼,它对“宏大叙事”的解构主要表现在:宣告形而上意义与价值的无效,使意义与价值回到形而下,回到凡俗人生。因此,消解政治话语,以生存话语取而代之,拒绝形而上的乌托邦遐想,以形而下日常生活的平面化叙事为价值旨趣,便构成了新写实小说文本叙事的出发点和最后的归属。可以说,新写实小说是一种没有表现出显在解构冲动的具有强烈解构特征的文学现象,它的解构性没有表现出咄咄逼人的进攻性,是不动声色的。正因为这样,它的解构与颠覆意味则长久被人们所忽略或漠视。

Postmodern Sense and the New Realistic Novelty

The new realistic novelty is the only literary tide which had crossed the 1980s and the 1990s. Viewed from the literary value, its deconstruction toward the “G rand Narration” is mainly expressed in announcing the invalidity of the metaphy sical sense and value, which made the sense and value withdraw to the ordinary l ife. So, dispelling the political discourse and taking the existence discourse i nstead, and refusing the metaphysical Utopian ideal and taking the plane narrati on on ordinary daily life as value purport construct the starting point and fina l settling place of the new realistic text. To say, the new realistic novelty is a literary phenomenon with strong deconstructive characteristic but without exp ressing obvious deconstructive impulse. Its deconstruction quality is not aggres sive but silent. Thus its sense of deconstruction and subversion has long been i gnored or overlooked.