| 枫树的意象及其美学意蕴 |
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| 引用本文： | 高政锐,邓福舜. 枫树的意象及其美学意蕴[J]. 齐齐哈尔大学学报(哲学社会科学版), 2006, 0(6): 85-88 |
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| 作者姓名： | 高政锐 邓福舜 |
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| 作者单位： | 大庆师范学院,中文系,黑龙江,大庆,163712 |
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| 摘 要： | 枫树历史悠久、分布广泛,早在上古文献中就被人所注意。它所蕴含的悲愁意识源于楚辞,并在唐以后的诗词中上升为一种典型意象。枫树与猿声并行出现在作品中是视觉与听觉的互应,是双重意象的叠加,并以此升华了作家的主观情感。枫树深化了悲秋的主题,扩大了送别诗词的情境。枫树所表现的恬淡自然之美,丰富了其自身的美学意蕴。
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| 关 键 词： | 枫树 悲愁 猿声 送别 恬淡自然 |
| 文章编号： | 1008-2638(2006)06-0085-04 |
| 修稿时间： | 2006-06-11 |
The Imagery of Maple and Its Aesthetic Implication |
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| GAO Zheng-rui,DENG Fu-shun. The Imagery of Maple and Its Aesthetic Implication[J]. Journal of Qiqihar University (Philosophy & Social Science Edition), 2006, 0(6): 85-88 |
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| Authors: | GAO Zheng-rui DENG Fu-shun |
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| Abstract: | The maple has a long history and is widely distributed in China.It has been recorded in ancient documents.The sadness and gloom contained in maple originated from Chuci(Songs of the South)became a typical imagery in poems of and after Tang Dynasty.The appearance of ululation of apes together with the imagery of maple in poems is an auditory echo of seeing and this forms a double-imagery and sublimates the subjective feelings of poets.The maple deepens the themes of poems and enlarges the emotional situations.The tranquil and natural beauty represented by maple enriches its own aesthetic implications. |
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| Keywords: | maple sadness and gloom ululation of apes farewell tranquil and natural |
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