| 《图兰朵》与《杜兰朵》的无意识结构比较 |
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| 引用本文： | 张晶燕. 《图兰朵》与《杜兰朵》的无意识结构比较[J]. 四川大学学报(哲学社会科学版), 2002, 0(5): 55-60 |
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| 作者姓名： | 张晶燕 |
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| 作者单位： | 四川大学,艺术学院,四川,成都,610064 |
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| 摘 要： | 西洋歌剧《图兰朵》中所展示的两性互动模式让中国人感到陌生而不自在 ,而魏明伦对歌剧剧情作了若干修改 ,再创的川剧《中国公主杜兰朵》却获得了中国观众的好评。从精神分析的角度对两剧的主要人物关系进行比较 ,认为 ,正是因为中国人内心的无意识欲望和西方人有所差异 ,才使中国人更喜欢杜兰朵的故事
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| 关 键 词： | 图兰朵 杜兰朵 精神分析 石祖 俄底浦斯情结 代情结 |
| 文章编号： | 1006-0766(2002)05-0055-06 |
| 修稿时间： | 2002-03-05 |
Turandot and Dulanduo: Two Different Unconscious Structures |
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| ZHANG Jing yan. Turandot and Dulanduo: Two Different Unconscious Structures[J]. Journal of Sichuan University(Social Science Edition), 2002, 0(5): 55-60 |
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| Authors: | ZHANG Jing yan |
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| Abstract: | The sexual interaction mode revealed in western opera Turandot is strange and unintelligible to Chinese, while its Chinese version revised by Wei Minglun, Sichuan opera The Chinese Princess Dulanduo,is well accepted and highly praised. Based on a psychoanalytic interpretation of the main figures in two plays, the author draws a conclusion that it is due to the differences of the unconscious desires between the western and Chinese people that the Chinese like Dulando better. |
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| Keywords: | Turandot Dulanduo psychoanalysis Phallus Oedipus Complex Generation Complex |
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