| 皮蓝德娄与象征主义戏剧 |
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| 引用本文： | 张华. 皮蓝德娄与象征主义戏剧[J]. 安徽大学学报(哲学社会科学版), 2009, 33(3): 97-101 |
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| 作者姓名： | 张华 |
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| 作者单位： | 南京大学,戏剧影视研究所,江苏,南京,210093 |
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| 摘 要： | 皮蓝德娄作为表现主义戏剧的代表人物,其戏剧理论和创作实践与象征主义戏剧理论主张有着很深的渊源关系,主要体现在其"幻想"的创作思维模式、对"假面"理论的阐释和运用中。同时,其"形象→意念"的创作思路对象征主义戏剧处理"意义和形象"之间关系时的困境具有启发意义。
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| 关 键 词： | 皮蓝德娄 象征主义 幻想 非个性化 非现实舞台情境 假面 形象→意念 |
Luigi Pirandello and Symbolic Theatre |
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| ZHANG Hua. Luigi Pirandello and Symbolic Theatre[J]. Journal of Anhui University(Philosophy & Social Sciences), 2009, 33(3): 97-101 |
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| Authors: | ZHANG Hua |
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| Affiliation: | Department of Theater;Movie and Television;Nanjing University;Nanjing;Jiangsu 210093 |
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| Abstract: | Luigi Pirandello is a representative of expressionistic drama.His drama theory and creative practice are closely linked to symbolism theatre,which is mainly reflected in his creative thinking of "illusion" and interpretation and application of the "mask" theory.At the same time,his creative ideas of "image→idea" give a revelation to symbolism theatre concerning relationship between "idea" and "image". |
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| Keywords: | Luigi Pirandello symbolism illusion impersonal unrealistic stage situation mask " image→ idea" |
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