文学话语的增殖与误读:对"民族文学运动"的再思考

"民族文学运动"是中国民族主义文艺的重要组成部分,于上世纪40年代初由陈铨发起。陈铨以民族意识的培养为目标,对传统末世文学、五四个人文学及普罗革命文学进行了尖锐批评,极力倡导盛世文学。但在特定的历史语境下,"民族文学运动"曾受到左翼革命话语的种种质疑和误读,甚至被扣上法西斯文艺的帽子。学术范畴内的文学批评由此被错误升级为意识形态批判,而文学话语的增殖效应也在这场文艺论争中得到深入体现。

The Proliferation and Misunderstanding of Literature Discourse: A Reconsideration of "The National Literature Movement"

"The National Literature Movement",advocated by Chen Quan in 1940s,was an important part of the Chinese nationalist literature.Aiming at the cultivation of the nationalist consciousness,Mr.Chen strongly advocated the heyday literature and sharply criticized the pessimism in traditional literature,the individualism of the May 4 Literature and the idea of class in proletarian literature.However,under particular social circumstance,the Movement was oppugned and misunderstood by the leftists,and even labeled as "the Fascist literature".Consequently,literary criticism in academia escalated to ideological criticism.The proliferation effect of literature discourse was fully revealed in this literary combat.