| 王夫之现量说美学的阐释学解读 |
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| 引用本文： | 吴海庆.王夫之现量说美学的阐释学解读[J].山东大学学报(哲学社会科学版),2000(3):19-23. |
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| 作者姓名： | 吴海庆 |
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| 作者单位： | 山东大学文学院,山东,济南,250100 |
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| 摘 要： | 王夫之把现量这个相宗术语转化为一个美学概念，并以之构成了他丰富的美学思想的重要基础。在这个基础上，他提出了一系列有解放意义和革命性的阐释原则，对中国古典美学具有较大突破，并与西方现代阐释学美学的部分观点相印合。
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| 关 键 词： | 现量 现在性 四情 涵咏 |
| 文章编号： | 1001-9839(2000)03-O019-05 |
| 修稿时间： | 1999年5月12日 |
The interpreting of Wang FuZhi's theory of the Present knowledge by the present Western hermeneutics |
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| WU Haiqing.The interpreting of Wang FuZhi's theory of the Present knowledge by the present Western hermeneutics[J].Journal of Shandong University(Philosophy and Social Sciences),2000(3):19-23. |
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| Authors: | WU Haiqing |
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| Abstract: | Wang Fuzhi transformed the Present knowledge (a terminology of Buddhism) into a aes- thetics conception and lay it as the important foundation of his theory of aesthetics. Wang Fuzhi's theory of aesthetics breaks through the frame of the theory of aesthetics of Ancient China by ed- vancing a series of interpreting Principles of emancipating the mind, and suits the theory of aesthet- ies of the present Western hemleneutics in some way. |
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| Keywords: | the Present knowledge the presentness of aesthetic being the four feelings the Chant |
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