| 关于中国画创作的理性思考 |
| |
| 引用本文： | 李超峰. 关于中国画创作的理性思考[J]. 宿州学院学报, 2007, 22(6): 88-90 |
| |
| 作者姓名： | 李超峰 |
| |
| 作者单位： | 安徽师范大学美术学院,安徽,芜湖,241000 |
| |
| 摘 要： | 中国画是民族精神和气格的象征,当代中国画的创作在传统理念与创新意识、形式的多样性与情感的诸多矛盾中发展。而提高创作主体的修养关乎作品格调的高低,以现代意识和民族精神为契机,把握时代给于中国画的要求,真诚的面对自然,面对心灵,努力创作出具有时代气息的艺术作品,为中国画在21世纪的艺术之林争得有话语权的一席之地。
|
| 关 键 词： | 中国画创作 传统与创新 形式与情感 现代意识 |
| 文章编号： | 1673-2006(2007)06-0088-03 |
| 修稿时间： | 2007-04-20 |
On the Rational Thought of Chinese Painting Creation |
| |
| LI Chaofeng. On the Rational Thought of Chinese Painting Creation[J]. Journal of Shuzhou College, 2007, 22(6): 88-90 |
| |
| Authors: | LI Chaofeng |
| |
| Abstract: | As the symbol of national spirit and temper,Nowadays,Chinese painting creation has been developing in the traditional concept and enterprising spirit variety of forms and contradiction of emotion.The style of painting attaches great importance to the mastery of painter,so modern consciousness,and faith to nature are all the vital elements can gain the right of speaking for Chinese printing in the field of art in 21th century. |
| |
| Keywords: | Chinese Painting Creation Tradition and Enterprise Form and Emotion Modern Consciousness |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
