| 浅析京剧《打严嵩》的叙事艺术 |
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| 引用本文： | 杜红艳. 浅析京剧《打严嵩》的叙事艺术[J]. 西昌学院学报(社会科学版), 2014, 0(2): 25-27 |
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| 作者姓名： | 杜红艳 |
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| 作者单位： | 西华师范大学文学院,四川南充637002 |
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| 摘 要： | 《打严嵩》是京剧中常演常新经久不衰的传统剧目,历代京剧艺术家都有擅演此剧者,如谭寇培、余叔岩、马连良、周信芳、金少山、裘盛戎等。《打严嵩》一剧之所以具有如此大的艺术魅力,这与剧中所体现的高超的叙事艺术是分不开的,该剧无论是从其独特的结构方式还是风趣幽默的戏剧风格或是其独具特色的表现形式来说,都具有较高的文学价值。
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| 关 键 词： | 《打严嵩》 叙事 均衡 结构形式 戏谑 |
Analysis on Narrative Art of Peking Opera Beat Yansong |
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| DU Hong-Yan. Analysis on Narrative Art of Peking Opera Beat Yansong[J]. Journal of Xichang College(Social Science Edition), 2014, 0(2): 25-27 |
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| Authors: | DU Hong-Yan |
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| Affiliation: | DU Hong-Yan (School of Literature, China West Normal University, Nan chong,, Siehuan 637002) |
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| Abstract: | Beat Yansong is a traditional play in Peking opera ,which is constantly performed and adapted,acted by many artists of Peking opera,such as Tan Koupei,Yu Shuyan,Ma Lianliang,Zhou Xinfang,Jin Shaoshan, Qiu Shengrong and so on.The reason why the Peking opera Beat Yansong possesses rich artistic charm is its excellent narrative art. Whether from special structural formula,witty style or characteristic form of expression,we think Beat Yansong embodies higher literary value. |
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| Keywords: | Beat Yansong narrative balance structural formula banter |
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