梯玛“求子”仪式中的符号化空间——以剪纸“天门”为中心

梯玛仪式“玩菩萨”中的剪纸、绘画使用了大量的形象性符号,包括剪纸天门、天梯、天钱、纸人纸伞、穿衣儿粑粑、神案等,考察其在堂中各自的位置、数量、用色及形式,从艺术形态学和美术人类学的角度出发,结合梯玛自己的解释和在仪式中的具体作用,同时与其他民族民间同类剪纸做比较,对“玩菩萨”仪式中的图像符号做深入的分析。并以“求子”一节为例,分析符号组成空间,符号在特定的空间情境中产生意义,阐明民间神圣符号在组成仪式空间情境中的作用,研究剪纸、绘画等符号在空间情境中意义的转换,体现出民间艺术、民间思维中象征性的特点。

Semiotic Space in "TiMa" Ceremony of Asking for Sons

Many image signs are always used in the paper cutting and drawing in TiMa ceremony of "Wanpusa".This paper studies their position,numbers,coloring and form in terms of the artistic morphology and anthropology.Meanwhile,the writer compares with the paper cutting of other nationality,and makes a profound research of the image and signs.Taking the ceremony of "asking for sons" for example,the writer proves that the signs play a crucial part in a special spatial context.The transfer of the meaning of paper cutting and drawing in a spatial context embodies the symbolic characteristics of folk arts and thinking patterns.