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从歌颂到反讽--革命者形象的变迁与王蒙创作心态的变化
引用本文:翟创全.从歌颂到反讽--革命者形象的变迁与王蒙创作心态的变化[J].江南大学学报(人文社会科学版),2004,3(6):100-102.
作者姓名:翟创全
作者单位:南京师范大学,文学院,江苏,南京,210097
摘    要:有关革命者生涯的记忆是作家王蒙最为刻骨铭心的记忆,对于革命和革命者形象王蒙进行了不断的书写和重写.从<青春万岁>到新时期初的<布礼>、<蝴蝶>,再到后来的"季节"系列,作家对革命者形象的书写经历了纯情的歌颂、痛苦的分裂和忧愤的反讽三个阶段.王蒙作品中革命者形象的演变极为深刻地体现了作家创作心态的发展变化.

关 键 词:革命者形象  歌颂  分裂  忧愤
文章编号:1671-6973(2004)06-0101-03
修稿时间:2004年3月2日

From Extollment to Irony--the Change of Wang Meng's Composition Psychology
ZHAI Chuang-quan.From Extollment to Irony--the Change of Wang Meng's Composition Psychology[J].Journal of Southern Yangtze University:Humanities & Social Sciences Edition,2004,3(6):100-102.
Authors:ZHAI Chuang-quan
Abstract:The memory about his revolutionary career is Wang Meng's most unfogetable memory. He have constantly written and rewritten about revolution and revolutionary images. From" long live youth" to" cloth gift"and "butterfly "in new era, and to later "season" series, his writing experienced pure extolment, painful division and indignant irony. The development of revolutionary images has embodied the development and change of writer's composition psychology.
Keywords:revolutionary image  extolment  division  resentment
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