当代中国书法审丑和审美的两极困境及超越之路

文章分析了历史上“丑书”盛行的原因，并将当代“丑书”作品与之进行比较，指出当代“丑书”作品缺乏思想性，仅仅是为了突破传统审美标准，冲击世人视觉感官而为之的作品，会给中国书法带来一定的消极影响和发展危机；当代中国书法回归传统古典审美的另一极，面临如何继承和创新的发展困境。审视当代中国书法审丑和审美的两极困境，应该从中国书法发展的历史本身寻找出某种融合和突破的有效途径。

The Appreciation of Ugliness and Aesthetic Dilemma of Contemporary Chinese Calligraphy and the Road of Breakthrough

This paper analyses the reasons for the prevalence of the historical “ugly calligraphy” . Compared with those historical ones ,the contemporary works of the “ugly calligraphy” are con-sidered lacking in ideology and are created only for the breakthrough of traditional aesthetic standard and for the impact on people’s visual sense ,w hich will bring certain negative influence on and development crisis to Chinese calligraphy .Contemporary Chinese calligraphy’s return to the traditional classical aesthetic state is facing the development dilemma as to how to inherit and innovate .Examining the“appreciation of ugliness”and“aesthetic”dilemma of contemporary Chi-nese calligraphy ,we should find some effective ways to integrate and break through from the his-tory of Chinese calligraphy’s development itself .