| 曲径通幽——论中国古典园林的意境与内涵 |
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| 引用本文： | 白钊义.曲径通幽——论中国古典园林的意境与内涵[J].山西大学学报(哲学社会科学版),2005,28(3):124-126. |
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| 作者姓名： | 白钊义 |
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| 作者单位： | 山西大学,美术学院,山西,太原,030006 |
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| 摘 要： | 文章对比中西方园林艺术的不同风格,在分析园林的各组成要素的曲折多变基础上,论证曲与直的辩证关系,从而得出“曲”是中国古典园林艺术的重要标志。
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| 关 键 词： | 园林艺术 曲 直 意境 |
| 文章编号： | 1000-5935(2005)03-0124-03 |
| 修稿时间： | 2005年3月8日 |
Leading to the Loneness Maze --Artistic Conception and Connotation of Chinese Classical Gardens |
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| BAI Zhao- yi.Leading to the Loneness Maze --Artistic Conception and Connotation of Chinese Classical Gardens[J].Journal of Shanxi University(Philosophy and Social Sciences Edition),2005,28(3):124-126. |
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| Authors: | BAI Zhao- yi |
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| Abstract: | Compared with west garden art style, and based on analysis on the variability of each constitute part of gardans, the logical relationship between the bend and the straight ness is expounded. At the same time the conclusion that the bend is an important sign of Chinese classic garden art is drawned. |
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| Keywords: | garden art bend straight ness artistic conception |
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