| 马尔库塞的新感性理论与禅宗美学 |
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| 引用本文： | 邓绍秋. 马尔库塞的新感性理论与禅宗美学[J]. 长江大学学报(社会科学版), 2003, 0(3) |
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| 作者姓名： | 邓绍秋 |
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| 作者单位： | 株洲师范高等专科学校中文系 湖南株洲412007 |
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| 摘 要： | 禅宗活动与马尔库塞的新感性说存在某些相通之处 ,即它们都强调感性在人性中的地位 ,都张扬自主性 ,表现出反传统的倾向。一句话 ,审美解放是两者的共同目的。当然 ,我们也应该清醒地认识到禅宗与马尔库塞新感性说之间的差异 :第一 ,两者对待情感的态度不同 ;第二 ,两者对待现实的态度也有所不同 ;第三 ,两者对待时间的态度不同 ;第四 ,两者对待语言的态度不同
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| 关 键 词： | 禅宗活动 马尔库塞 新感性 审美解放 共通性 差异性 |
Marcuse''''s New Sensibility Theory and Zen Aesthetics |
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| DENG Shao-qiu. Marcuse''''s New Sensibility Theory and Zen Aesthetics[J]. Journal of Yangtze University(Social Sciences), 2003, 0(3) |
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| Authors: | DENG Shao-qiu |
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| Abstract: | There exist some similarities between Zen and Herbert Marcuse's new sensibility theory. Both give an emphasis to the status of sensibility in the human nature, strengthen subjectivity and have anti-traditional tendencies. In one word, aesthetic liberation is their common goal. Of course, it should be realized that there exist some differences between Zen and MaRcuse's new sensibility theory: different attitudes towards feeling, reality, time and language. |
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| Keywords: | Zen Marcuse new sensibility aesthetic liberation similarity difference |
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