在隐喻世界里诗意地栖居--论当代藏族汉语诗歌的审美属性

第一代藏族汉语诗人和第二代藏族汉语诗人的作品中的共同审美属性是“隐喻”,也是藏族新诗在美学层面对藏族传统诗歌的继承和发展。隐喻,在两代诗人诗歌中表现出各自不同的两种形态,即“传统的客观的隐喻”和“现代的主观的隐喻”。隐喻审美属性形成的原因体现在两个方面,首先,在一般意义上即心理层面,隐喻是审美生成的心理机制;其次,从特殊意义上即种族根源上看,隐喻是藏族人固有的生存方式和思维方式,二者是对隐喻的审美方式(艺术构思和表达)的潜在规定。

On the Chinese Poetry in Modern Tibet

The author holds that metaphor is where the first generation and the second generation of the Tibetan poets who write in Chinese meet and the carrying forward of the traditional Tibetan aesthetics in the modern world. There are differences, though. The conventional metaphor, as used by the first generation is characterized by objectiveness while the modern metaphor, as used by the second generation, is more subjective; and secondly, metaphor, although a universal aesthetic mechanism among people of all national and ethnic communities, is the innate way of living and thinking for the Tibetans. They both determine how metaphor is applied to the artistic creation of the Tibetan poets.