| 明代诗学转向的文化成因 |
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| 引用本文： | 闫霞. 明代诗学转向的文化成因[J]. 北方论丛, 2010, 0(5): 23-27. DOI: 10.3969/j.issn.1000-3541.2010.05.006 |
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| 作者姓名： | 闫霞 |
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| 作者单位： | 武汉纺织大学,公共课部,湖北,武汉,430077 |
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| 摘 要： | 与南宋以来诗学只是有文本转向的倾向相比,明代诗学明确地发生了文本转向,由原来以文学观念、创作理论为核心转向以文学文本的研究、批评为主.这种转向,不仅是自身发展逻辑的结果,更与明代较以往更为特殊的政治、经济、文化及文人文学活动的实际状态有着密切关系.帝王极力黜夺文人的文化身份及禁锢其思想,而文人们在当时政治、经济环境下个体意识却日渐凸显,最终凝聚成一个文化共同体,并且显示出自觉的艺术精神,这些是明代诗学转向的重要文化成因.
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| 关 键 词： | 文化共同体 艺术精神 明代诗学 |
The Culture Reasons for Ming Dynasty Poetics Changing Direction |
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| YAN Xia. The Culture Reasons for Ming Dynasty Poetics Changing Direction[J]. The Northern Forum, 2010, 0(5): 23-27. DOI: 10.3969/j.issn.1000-3541.2010.05.006 |
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| Authors: | YAN Xia |
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| Affiliation: | YAN Xia(Public Course Department,Wuhan Textile University,Wuhan 430077,China) |
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| Abstract: | Chinese Classic Poetics has had the tendency to change its developing direction to research and criticism text from Southern Song Dynasty.Compareing with it The Ming Dynasty Poetics changes its developing direction definitely.It is not the Literature Concepts and the Writing Theories but the Text Research and Text Criticism become its center.This is not only the logic result,but also relates intently with the particular politics,economy,culture of Ming Dynasty and the practical activity status of the litera... |
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| Keywords: | Culture Community Artistic Spirit Ming Dynasty Poetics |
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