| 从后现代视角看“山寨文化” |
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| 引用本文： | 房华强,高明. 从后现代视角看“山寨文化”[J]. 甘肃联合大学学报(社会科学版), 2009, 25(3): 58-60 |
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| 作者姓名： | 房华强 高明 |
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| 作者单位： | 中国矿业大学,文学与法政学院,江苏,徐州,221116 |
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| 摘 要： | 作为中国社会现代化进程中的独特文化现象,"山寨文化"是基于模仿的边缘文化,是主流文化的补充形式;"山寨文化"具有明显的消解中心、反叛传统等后现代表征,它的出现迎合了后现代文化下大众物质与精神消费的需求,并与当前向后现代社会过渡的社会语境相适应.
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| 关 键 词： | 后现代视角 山寨文化 社会语境 |
The Post-Modern Perspective of "Cottage Culture" |
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| FANG Hua-qiang,GAO Ming. The Post-Modern Perspective of "Cottage Culture"[J]. Journal of Gansu Lianhe University:Social Sciences, 2009, 25(3): 58-60 |
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| Authors: | FANG Hua-qiang GAO Ming |
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| Affiliation: | School of Literature and Law;China University of Mining and Technology;Xuzhou 221116;China |
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| Abstract: | As a unique cultural phenomenon in China's social modernization process,"cottage culture" is based on imitating the edge of culture,the supplementary form of mainstream culture."Cottage culture" has obvious post-modern characteristics of digestion center,rebelling tradition.It meets the needs of mass's material and spiritual consumption in the post-modern culture and adapts to the social Context of transition to post-modern society. |
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| Keywords: | the post-modern perspective cottage culture social context |
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