| 李白诗源骚的文化审美依据 |
| |
| 引用本文： | 孟修祥.李白诗源骚的文化审美依据[J].云梦学刊,2000(1). |
| |
| 作者姓名： | 孟修祥 |
| |
| 作者单位： | 湖北荆州师范学院中文系!434100 |
| |
| 摘 要： | 李白“深入骚”,其诗歌创作与屈骚有很深的渊源关系。李白与屈原都有尚用的精神,并有相同的人生经历与情感历程,都是悲剧性人物,他们的悲剧精神体现在对君的“怨”与“恋”的双重文化性格中,而且在审美特征上同样表现有“惊采艳艳”的浪漫艺术精神,所以说,李白诗源骚既有其文化依据,又有其审美依据。
|
| 关 键 词： | 源骚 文化依据 审美依据 |
THE CULTURAL AESTHETIC BASIS OF LI BAI'S POEMS ORIGINATING FROM SAO |
| |
| Meng Xiuxiang.THE CULTURAL AESTHETIC BASIS OF LI BAI'S POEMS ORIGINATING FROM SAO[J].Journal of Yunmeng,2000(1). |
| |
| Authors: | Meng Xiuxiang |
| |
| Institution: | Meng Xiuxiang |
| |
| Abstract: | Li Bai was well -read in SAO and his poetry creation was closely connected with Qu Yuan's SAO. Li Bai and Qu Yuan both had respect for practicality. They had similar personal and emotional experiences and they both were tragic. Their tragic spirit found expression in their double cultural personality: "blaming" and "loving" the king at the same time. Aesthetically, their romantic and artistic spirit was remarkably similar. To conclude that Li Bai's poems could be traced to Qu Yuan's SAO was not only culturally sound, but also aesthetically based. |
| |
| Keywords: | Originating from SAO cultural basis aesthetic basis |
| 本文献已被 CNKI 等数据库收录！ |
|
