| 洙泗弦歌之风在唐诗中的变奏 |
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| 引用本文： | 陈元锋.洙泗弦歌之风在唐诗中的变奏[J].山东师范大学学报(人文社会科学版),2007,52(4):26-30. |
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| 作者姓名： | 陈元锋 |
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| 作者单位： | 山东师范大学,齐鲁文化研究中心,山东,济南,250014 |
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| 摘 要： | 弦歌诗颂是儒家礼乐文化的象征。儒风的兴衰崇黜与时推移。唐代儒学的命运大体经历了三个阶段,并在唐诗中留下了清晰的印记,即盛世的崇儒,转型时期的复古和衰世的追怀。
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| 关 键 词： | 洙泗 唐诗 儒风 文化 |
| 文章编号： | 1001-5973(2007)04-0026-06 |
| 修稿时间： | 2007年6月22日 |
The Variation of Singing and Reciting at Zhusi River in Tang Poetry |
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| Chen Yuanfeng.The Variation of Singing and Reciting at Zhusi River in Tang Poetry[J].Journal of Shandong Teachers' University(Social Science Edition),2007,52(4):26-30. |
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| Authors: | Chen Yuanfeng |
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| Abstract: | The singing and reciting of poems accompanied by stringed instruments is a symbol of Confucian culture of propriety and music.It rises and declines with the alternation of different times.Confucianism during the Tang Dynasty has undergone three stages and has left over obvious imprints in the Tang poetry,that is,the observation of Confucianism in prosperous ages,its revival in the transformation ages,and its recollection in times of disintegration |
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| Keywords: | Zhusi the Tang poetry Confucianism culture |
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