| 关于《伤逝》中子君形象的探讨 |
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| 引用本文： | 曾琪. 关于《伤逝》中子君形象的探讨[J]. 东华理工学院学报, 2006, 25(4): 394-396 |
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| 作者姓名： | 曾琪 |
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| 作者单位： | 东华理工学院文法与艺术学院 江西抚州344000 |
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| 摘 要： | 在《伤逝》这一爱情悲剧的叙述中,涓生带有明显的男性中心主义色彩,他用传统赋予的话语霸权遮蔽着另一主人公子君的言说,为了还原这个爱情悲剧的实际形态,必须拨开涓生文本中叙述和抒情的迷雾,走进子君真实的内心世界,并回到历史的现场,探寻《伤逝》爱情悲剧的真正根源。
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| 关 键 词： | 涓生 子君 男权意识 |
| 文章编号： | 1001-635X（2006）04-0394-03 |
| 收稿时间： | 2006-09-09 |
| 修稿时间： | 2006-09-09 |
On the Image of in Zijun the "Past" |
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| ZENG Qi. On the Image of in Zijun the "Past"[J]. Journal of East China Institute of Technology, 2006, 25(4): 394-396 |
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| Authors: | ZENG Qi |
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| Abstract: | In the "Past" this tragic love narrative,Juansheng obviously a male color,using traditional verbal hegemony to shelter another heroine Zijun's statement,in order to reinstate the tragic love of the actual form we must sweep away Juansheng's text narrative and lyrical fog,walk into Zijun's real inner world,and go back to the history of the scene and search for the real source of "Past" tragic love. |
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| Keywords: | Juansheng Zijun male consciousness |
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