| 浪漫主义批评中的非个性化理论 |
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| 引用本文： | 田茫茫,王艳坤. 浪漫主义批评中的非个性化理论[J]. 北华大学学报(社会科学版), 2009, 10(4): 74-78 |
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| 作者姓名： | 田茫茫 王艳坤 |
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| 作者单位： | 吉林大学,文学院,吉林,长春,130012;吉林省社会科学院,东北史地杂志社,吉林,长春,130033 |
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| 摘 要： | 诗歌的非个性化理论是英国浪漫主义批评的重要成果之一。在柯勒律治、赫士列特和济慈看来,诗人唯有超越自我个性的局限,才能以博大的精神去体察万物,描绘万物,使笔下的一切生气灌注,千姿百态。而莎士比亚之所以成为伟大艺术的典范,就在于他成功地实现了这种超越,他的艺术是一种非个性化的艺术。
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| 关 键 词： | 浪漫主义批评 非个性化理论 柯勒律治 赫士列特 济慈 |
On Impersonal Theory in the Romantic Criticism |
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| TIAN Mang-mang ,WANG Yan-kun. On Impersonal Theory in the Romantic Criticism[J]. , 2009, 10(4): 74-78 |
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| Authors: | TIAN Mang-mang WANG Yan-kun |
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| Affiliation: | TIAN Mang-mang 1,WANG Yan-kun 2 (1.Arts College of Jilin University,Changchun 130012,China,2.History , Geography of Northeast Journal Press,Jilin Province Academy of Social Science,Changchun 130033,China) |
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| Abstract: | Impersonal theory is one of the important achievements of English romantic criticism.From aspects of Coleridge,Hazlitt and Keats,the poet can only go beyond the limitations of self-personality in order to understand the broad spirit of things,describing things,making all things full of life.And Shakespeare has become an example of great art is that he managed to go beyond the implementation of this,his art is an impersonal art. |
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| Keywords: | Romantic criticism Impersonal theory S T Coleridge William Hazlitt John Keats |
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