论中国电影大片

新中国电影60年的发展历程中,新世纪以来从《英雄》开始的中国电影大片现象引人注目：＂大片＂的票房成就和文化意义,＂大片＂概念的约定俗成及相关电影观念的深入人心。作为新中国电影发展60年之重要成果的中国电影大片,已经初步成为了一个中国电影的重要新类型。《集结号》是中国大片的一个转折。大片逐渐呈现出若干类型性特征。从类型的角度看,中国电影大片是一种具有中国特色的电影大片类型。但一些大片在类型定位上并没有遵循类型电影的规则,自觉或不自觉的非类型或反类型实践,使得大片留下一些矛盾和尴尬。尽管中国大片问题仍多,但当下的中国电影事业是需要大片的,大片可以带动电影市场。当然,大片类型需要成熟和优化,需要妥善平衡艺术/商业,本土/国际等复杂二元对立。

On Big Movies in China

In China s 60-year history of movies,the ＂big-movie＂ phenomenon,marked by Hero at the beginning of the new century,is an important achievement,not only in box office and cultural significance but in the establishment of the concept of ＂big movies＂ and its relative notions among the audience.It has become a new important type of Chinese movies.Later,Assembly marked a turn of big movies in China,giving the latter certain typological features.From a typological point of view,big movies in China are typically characteristic of the country, but some of them have defied the typology by consciously or unconsciously taking non-typical or anti-typical ways, thereby leaving some contradictions or embarrassing bugs therein. With all the problems, the current movie industry in China is still in need of big movies, which play a leading role in stimulating the movie market. There is no doubt that the typology of big movies is yet to be perfected and optimized, and that the complicated conflicts between art and commerce, and between local and international factors, are yet to be minimized.